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Clockwork Orange

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A Clockwork Orange book review by James Krendel-Clark Numerical rating: 10/10 (classic) First off, oh my brothers, the book is better than the film. It's not really a question of the redemptive ending but of the writing. There is about four times as much wordplay in it as in Kubrick's rendition, and it does a great deal to advance the plot (which is immaculate, following, like, all of the Aristotelian symmetries and whatnot). This is a book that you can cream into like so much freshly whipped butter. As Burgess says, the slang muffled the violence, rendering the "red red kroovy" (gushing blood) into a kind of groovy jargon that eats away at the morality of the reader since it doesn't come across as pornographic or ruthless. Few books have I enjoyed so much as this one. I ordered it on a whim, and when it arrived at my doorstep, I felt confused, like someone else had ordered it for me, but I checked, and no, I ordered it for myself, apparently along with some books...

haikus

  femdom hyperpop a gloved fist, underwater vaginal light sprays a convenience store the beats are happening children coalesce an embryo steely dan in the earbuds a field of glass glossy insouciance  prickling back of head the golem puzzling lipstick a necromancer's script devours the nightmare of you in a shower of sparks